Showing posts with label cops. Show all posts
Showing posts with label cops. Show all posts

Tuesday, March 11, 2008

Canterbury's Law (1.1) and New Amsterdam (1.3)

Monday, March 10th, 2008 at 8 PM

FOX

Canterbury's Law, Season 1 - Pilot

FOX

Marmot: Well, Hello!


Manatee: Hello. I hate this show already. She's sleeping with the client!


Marmot: Juliana Marguiles has slept with EVERYONE on tv. Zach Braff, George Clooney…


Manatee: Now this guy... (Insert sacastic tone here) whoever he is. This is starting to remind me of The Practice (Pre Boston Legal days)... I think they use the same set and the same cast with a bit of plastic surgery.


Marmot: I remember reading this script a year or so ago


Manatee: How does it compare to this production?


Marmot: I actually imagined Juliana Marguiles while reading it


Manatee: Well, she does have a producer credit. Obviously tailored to her.


Marmot: I think I liked this show better when it was called Ally McBeal, and she was more likeable. And played by Calista Flockhart.


Manatee: Haha. I don't even know what's going on!?


Marmot: Do you think the dancing baby will show up?


Manatee: Guaranteed, in act 3.


Marmot: Sweet. I'm kind of lost too.


Manatee: Who is that weasely guy following her? (its Ben Shenkman)


Marmot: He's Mark Weasel, Weasel for hire. This is a show that Dylan McDermott should have been on.


Manatee: He was.


Marmot: Oh yeah


Manatee: Before Ally McBeal, this was called The Practice. Is David E Kelley a producer on this?


Marmot: I think it was called LA Law at some point too. David E. Kelley isn't, but did you see who was?


Manatee: Who?


Marmot: Denis Leary.


Manatee: Shouldn't it be funny then?


Marmot: I was expecting some biting sarcasm, yes. But instead, we're watching Nurse Hathaway's Big Move. You know what she was good in? Snakes on a Plane. That, Manatee, is a fun movie.


Manatee: She was in that?! I liked that movie. Sam stole the show.


Marmot: She was the main flight attendant.


Manatee: I'm sick of these shows, where the woman is supposed to be strong, and all that comes across is some chick who acts like a man. She sleeps with her clients, she walks into the men's room unannounced, ridicules cops on the stand, and then still can meet her husband for dance lessons. What's wrong with having a strong female character that actually acts like a woman?


Marmot: I know. I think that human males would freak out if one of their females came into the restroom. Being a marmot, I have no idea about these things.


Manatee: Naturally neither do I, being a manatee. Als0, this cast is not very compelling.


Marmot: I like Ben Shenkman. He's like a poor man's...that guy from Journeyman. What was his name? Not Journeyman, but his brother


Manatee: I did not spend a long time with that show!


Marmot: Oh you should have. He went back to just about every year since the 70s


Manatee: We would have had a lot to destroy, I'm sure. Your thoughts on the technical? I'm not a fan of this cinematography - it's choppy and the color scheme is weird and throwing me off.


Marmot: Its shot really strangely. Oddly composed. Julianna does a lot of yelling on this show.


Manatee: Watch for the next scene (in the law firm), there is a pink sweater involved (on a guy)!


Marmot: Why hasn't anyone addressed the pink sweater? It's the elephant in the room


Manatee: (Moving onto the next scene: Lawyers called to the scene of the crime, a crime I have not been able to follow along with) Sassy cop insert here.


Marmot: See? She does admits to doing girl stuff, like throwing poorly. The bone they found could belong to the victim. Or it could belong to a dog. Did she think about that?


Manatee: It could, or another guy that was killed by the killer.... who is the killer again?


Marmot: The guy in the pink sweater, of course.


Manatee: Right, only a killer would wear pink.


Marmot: He's like a really poor man's Adrien Brody (Ben Shenkman)


Manatee: I still don't understand his role in her firm.


Marmot: I think he's Michael Clayton


Manatee: They fight in the hall, the office, but yet sit at the same table in the courtroom.


Marmot: They also fight in the bathroom


Manatee: Girly moment, Personal time with her husband at home, man does Aidan Quinn look bad.


Marmot: I like her husband's reassurance: "You should feel good about your lying, honey. You're really good at it."


Manatee: Nice "pep" talk. Ah, now with her client, I think this kid will hang himself (might make the show more interesting)? And her fight will be for nothing! Is she doing this for free, or for a large profit? They have not really addressed that. Is she really crying? Unbelievable.


Marmot: Nah its CGI. This guy is the poor man's Robert Redford (the PI, turned Client, turned lover).


Manatee: Oh my GOD! She needs someone to stop her from feeling "numb." Who wrote this?!


Marmot: I thought this was a Raymond Chandler novel for a second, when the guy came in with the fedora.


Manatee: haha


Marmot: Why did he call Ben Shenkman a feckless puppet? Whats a feckless puppet?


Manatee: That guy! Did you see Damages?


Marmot: No


Manatee: Well, Glenn Close plays this role much better, and the writing is more complex. She plays a strong female role, though as a lawyer she is ruthless, cold hearted, and just plain mean. You see her motivations, and can even understand them, even if you are not going to act the same way yourself. I buy her act.


Marmot: More complex than, "if she does it, she does it for her clients"? I don't know, the bar is set pretty high.


Manatee: (Back to the jail, and the accused) Don't you usually prep the witness before putting him on the stand?

Marmot: Why would you? Let him wing it. You get the funniest stuff out of improv sometimes.


Manatee: (Sarcasm) That's what you want in the courtroom.


Marmot: Uh oh, curveball; (mocking the actors) no, "this is the truth!"


Manatee: The truth is, this show sucks - Get it off the air!


Marmot: haha. What's the difference between objection and sustained on tv?

Manatee: They always seem to have the same effect.

Marmot: Juliana Marguiles is a smuggggggg lawyer.

Manatee: What did she just prove?


Marmot: That she knows science? What science fair project gets a write up in the newspaper? Must have been a really slow news day. OMG is this the Matlock "confession on the witness stand" moment?


Manatee: Shouldn't there be an objection here?


Marmot: (as Canterbury gets punched by the witness) HOLY CRAP. I did NOT see that coming!


Manatee: Marmot, they set up that hit 30 minutes ago.


Marmot: I should have been paying closer attention.


Manatee: Remember Jasper cornered her in a basement hallway.


Marmot: Sort of.


Manatee: I know, it feels like an eternity ago


Marmot: I want that surprise stricken from the record. Hows that for lawspeak?

Manatee: (Back at home, after a long day at the office) She drinks like a fish!

Marmot: Like a drunken fish. She's looked like hell the whole show. Why is he [her husband] just now commenting on it?


Manatee: Reveal: Wow, she has a dead son, that is why she is having husband problems, and sleeping in her dead son's room.


Marmot: That's just a little weird

Manatee: That explains the whole show, and gives her a heart! (poop) But wait, she killed her son!!!! Guess we'll have to wait till next week....



Monday, March 10th, 2008 at 9 PM

FOX

New Amsterdam, Season 1 - Episode 3 - "Soldier's Heart"

FOX

Manatee: Moving on to another crappy fox show - New Amsterdam... ok, let's destroy!


Marmot: What's the dog's name again? Do you think Johnny New York looks at all these young people and thinks, "I had sex with your mom"?


Manatee: Gross.


Marmot: I bet he does.


Manatee: OMG, is that Orlando Jones?!


Marmot: So that's where he went...


Manatee: He's the best actor ever! I hope they make him a regular.


Marmot: His character MUST be crazy, he's saying crazy things.


Manatee: And is dirty.


Marmot: The hot dog vendor is wearing a "Cosby" sweater.


Manatee: Good call.


Marmot: (on bringing Orlando Jones to the hospital) What does this have to do with a guy who is 400 years old?


Manatee: Good question, but it brings the ER doc back in though. Is she the one?


Marmot: She is "a" one, but maybe "the" one.


Manatee: But does she make his heart stop?


Marmot: Only season 2 will tell.


Marmot: She looks different though; did they recast?


Manatee: Younger. Botox?


Marmot: How is it that his son is wiser than he is? I thought he knew everything.


Manatee: He's a bartender, that's his job - give advice and be wise


Marmot: I wonder if Johnny Amsterdam was a bartender ever... He's bringing his partner along on the stalker mission?!

Manatee: I know, what's up with that? And she doesn’t question till they are at the house, parked for a good 10 minutes.


Marmot: Why don't cops ever talk in complete sentences?


Manatee: Is it cops, or TV Cops?


Marmot: Well, TV cops. I don't know how real cops talk.


Manatee: It's how a TV writer thinks cops talk. (Like "let's stop for donuts.")


Marmot: "10-4, I've got an eye on the perp; take him down!" They're totally gonna make out in the hallway (re: doctor and John at the hosiptal).


Manatee: WOW! She does not even recognize him as the John Doe?! Moron.


Marmot: "I have one of those faces." One of those faces that dies and then walks out of the hospital? Well, she's not the detective here.


Manatee: PS: How was he a John Doe? Didn't he have his badge on him in the subway (ep #1)? Or at least some ID - he is a cop.


Marmot: Maybe Doe is an another old name for New York.

Manatee: He was chasing a perp (10-4) when he passed out.


Marmot: (re: Flashback to Civil War) Bad flashback facial hair - WAIT - (Back to the hospital) If she's The One, how come he didn't die? Or have a heart attack?


Manatee: Good point, maybe she is not the one... hmmm....


Marmot: You'd think he would have realized that... he is a detective after all...


Manatee: (re: Police Station talk) John refers to the "Myth of fingerprints"? Are we challenging science now? or just trying to raise questions , dumb questions?


Marmot: Why does he seem so skeptical about everything? I thought he knew all. It took her long enough to realize he was the corpse that walked out of the hospital.


Manatee: She's dumb for a doctor!


Marmot: She looks different in the flashbacks.


Manatee: Botox! (And curly hair)


Marmot: This part would have gone to Kim Raver. If this were a better show.


Manatee: I can see that. But I'm not a Kim fan either.


Marmot: Nor am I. Audrey Raines...sheesh. This scene with Orlando Jones needs some 7Up! Was the he was questioning Orlando Jones in a jail in the back of the bar? It looked like he walked from one to the other.

Manatee: He gets around.


Marmot: Define irony: Bashing someone's head in with an award they won for helping you.


Manatee: I don't think he did it.


Marmot: I'm surprised. Orlando Jones is actually good, dramatically.


Manatee: I actually really like him. Maybe they'll give him meds and he can become the new sidekick.


Marmot: That would be awesome! L O S T flashbacks vs New Amsterdam's: the flashbacks on LOST are complete scenes not just awkwardly intercut with other scenes. That's why they work. You know when youre going into one.


Manatee: I know what you mean. The clips don't work, nor do those mutton chops.


Marmot: (re: Old time photo) Do you think he places the items around him before he has flashbacks ? Like digs up the relevant souvenirs from his life and then puts them at a perfect contemplative staring angle?


Manatee: I think it's a crappy way for the producers to transition from current to old times.


Marmot: How come he doesn't have an accent in the Civil War, everyone else does?


Manatee: Maybe he could not get the accent down.


Marmot: i love Find It.it's such a useful website - you can find anything you need, hence, find it (re: Fake Search Engine)


Manatee: Theme on Fox tonight: feces


Marmot: I dont like the random handheld and wild zoom; it's so unneccesary. Especially during the Civil War. (Food Market: A Place to Buy Food).

Manatee: Wait, I'm lost. Are they still accusing Orlando? Or is there another party involved here?


Marmot: I think the watermelon that he's holding did it. What's that film festival?


Manatee: Product Placement.


Marmot: The flashbacks are so obvious. Probably because he sets them all up with "it reminds me of this time when....WHOOOOOSH"


Manatee: Why do you need flashbacks? I don't think they help.


Marmot: I like that we've seen what he's been up to his whole life, but he only does great things. I mean, did he spend time working at 7-11 in the 80s? These are things I'd like to see.


Manatee: If you lived 400 years, you'd only do good too.... more time to get it right, plus on TV you can leave the mistake years on the cutting room floor.


Marmot: True, I'd like to see the mistake years.


Manatee: Me too. Porn star?


Marmot: This girl he's talking to? She could be, I mean she's got the-


Manatee: No another mistake year!


Marmot: Oh yeah, that would be great, Amsterdam '75. This girl has some blue eyes. She looks like an elf from Middle Earth.


Manatee: Why in TV cop shows do the witnesses always just walk away when they think they are done talking? Never say good bye or anything


Marmot: So impolite, tv witnesses. No awkward ending to the conversation, no "Sooooooooo"'s.


Manatee: And why is that balding cop always wrong about the bad guy and Amsterdam always right? You'd think he'd learn.


Marmot: Duh, he's bald.


Marmot: John Amsterdam is a poor man's Jason Bateman. Except not funny.


Manatee: How does this flashback relate to the confession of this weird guy no one cares about?

Marmot: Why does the Amish guy in the past keep looking at him like that?


Manatee: You know who should be on this show, Mel from the Flight of the Conchords.


Marmot: Have you noticed that in every episode there's always some scientist teaching him.

Manatee: That's why he is so smart.


Marmot: That is a disgusting story they're telling about the baby.


Manatee: Fried baby...


Marmot: If someone found out she was writing a book, they would ask to read it. (Upon the discovery of the hidden book) Her book is like 30 pages long! Is it a children's book? This show just makes me long for "Life."


Manatee: Soon enough, Marmot, soon enough.


Marmot: (re: Hospital exam) They're gonna make out! Is this scene necessary?


Manatee: NO is the answer to that question


Marmot: (re: Amish guy in flashbacks) He's self-publishing in the 1860s? The world's richest Amish. OHHH it's not an Amish guy, it's Walt Whitman! Of course!

Manatee: "In 1855 Whitman published at his own expense a volume of 12 poems, Leaves of Grass, which he had begun working on probably as early as 1847. It was criticized because of Whitman’s exaltation of the body and sexual love and also because of its innovation in verse form—that is, the use of free verse in long rhythmical lines with a natural, “organic” structure." (Wikipedia)

Manatee: That scene was supposed to be in 1862! Skip to the present, WOW! Husband! Doctor has a husband, should have know. The good ones are always taken.


Marmot: WOW no kidding. That was not the medical exam of a married doctor.


Manatee: That's for sure


Marmot: So what have we learned tonight Manatee?

Manatee: Fox likes crappy law and cop shows. My DVR is full of junk.


Marmot: Johnny Amsterdam is the Forrest Gump of the past.


Manatee: Very insightful


Marmot: The Single Female Lawyer of the 90s has grown up and is now Married Female Lawyer.


Manatee: and a slut


Marmot: and an alcoholic


Manatee: and she killed her son.


Marmot: Who knew that's what was going to happen to Ally McButter?

Wednesday, March 5, 2008

New Amsterdam (1.1) and Jericho (2.4)

Tuesday, March 4th, 2008 at 9 PM

FOX

New Amsterdam, Season 1 - Pilot

FOX

Warning: SPOILERS!

Manatee: 'Morning Marmot. I watched some pretty bad TV last night. How about you? I started with the pilot of New Amsterdam. The hour seemed to take forever... which brings me to my #1 pet peeve with this show - there's a novel called "Forever" by Pete Hammil.

This is Amazon's summary: "...His recovery takes a miraculous turn when... Tomora, appears and grants Cormac eternal life and youth-so long as he never leaves the island of Manhattan, thus the "Forever" of the title. Cormac fights in the American Revolution...and lives into the New York of 2001. In that year he warily falls in love with Delfina, a streetwise Dominican ("That was the curse attached to the gift: You buried everyone you loved"),... [this] is beautifully woven around historical events and characters, but it is Hamill's passionate pursuit of justice and compassion-Celtic in foundation-that distinguishes this tale of New York City and its myriad peoples."

I feel as though last night's TV show pulled a few lines from this blurb, or maybe directly from the book.

Marmot: I know what you mean about the pace. I feel like we watched all 500 years that he's been alive in real time. Why is his name the same as the former name of the city he lives in? If this was set in Istanbul, would his name be John Constantinople? This premise if kinda flimsy, if you ask me. I read this script a year ago and it went into greater detail with exactly how he is immortal, but last night's episode completely lost me.

Manatee: Putting aside the supernatural for a sec, what's up with crime fighting aspect of this show? It feels like a bad, bad episode of Law & Order. The crimes are in the background of Amsterdam's storyline, and only serve to further his torture and pain of eternal life. We learn that he has to find "the one" to become mortal again, and that he lost his 6 year old son (as the victim's mother herself grieves).

Marmot: The victim's mother was great...telling the cops to get out when they come to question her? It's like she already knew all the cop show cliches and has just been waiting for a chance to use them. I agree, the detective aspect feels forced. I think the initial idea was a detective show with a twist (isn't there enough of these already?), but the immortal aspect would be just as interesting if he worked security at Madison Square Garden, or sold hotdogs from a cart in Times Square.

Manatee: The Amsterdam character reminds me of Detective Robert Goren (from Law & Order Criminal Intent) - a know-it-all cop, except he has hundreds of years of experience under his belt, not just academic knowledge; played with much less skill than Vincent D'Onofrio (Nikolaj Coster-Waldau plays Amsterdam). Yet no one really questions why he knows where a speak easy used to be, let alone question what a speak easy is?! How often does that word come up in 2008. Even his new partner, Eva Marquez (Zuleikha Robinson, who was great on Rome) just gives him a silly look, like "Amsterdam, you so crazy."

Marmot: Who is this guy? Actually, who are the entire cast? I don't know how I feel about it. On one hand, its nice to have fresh faces that don't bring any of their past roles to the show, and on the other hand, they all kind of suck. Actually, the whole show feels a lot like Life on NBC. Especially the dynamic between him and his partner. Except, not nearly as good, of course.

Manatee: I have to say the worst part of the show was the last 5 minutes. I wanted to jump out of my skin when the screen filled with the end montage of visual effects showing Amsterdam with the Indians up to present. What?

Marmot: That circle pan? WTF? That was horrible. Plus, we got it during the scene with the photographs. Way to beat me over the head with the fact that he's hundreds of years old.

Manatee: If you can't do it well, don't do it. If you don't have the VFX money, take it out. I get that Amsterdam has been around the block. I could tell from the first flashback of mangy hair, fake beards, and ripped up rags that he's had the pleasure of seeing a really Native American. There was no need, no need at all to refresh my memory with that terrible green screen action.

Marmot: Do you think future episodes will have flashbacks to previous times in his life, a la LOST? Like what he was up to during the 1800s? This would probably help the show by taking time away from the cop work, which is nothing new. And why do all cases wrap up in the space of 1 episode? I wouldn't mind if I case was carried across multiple episodes or a whole season. And do they only work on one case at a time? Are there really that many detectives?

To Be Continued.... Episode #2 airs this Thursday

Tuesday, March 4th, 2008 at 10 PM

CBS

Jericho, Season 2, Episode 4 - "Oversight"

CBS
Warning: SPOILERS!

Manatee: The best part of TV last night was from approximately 10:56 to 10:59 PM. The deaf sister dying definitely woke me out of my Jericho slumber. I'm surprised that with only 3 episodes left to the season, last night's Jericho was so slow. I don't think it's a surprise that the show will probably not come back for a season 3, so why hold back? They should be going all out, but the writers seem to be struggling.

Marmot: I was thinking the same thing. Blow some shit up already! You know you only have 7 episodes, lets wrap this up and go out with a bang. We need all of the usual TV show stories: weddings, babies, deaths, war, famine, street racing, flashbacks, flashforwards, amnesia, evil twin and "a very special Jericho".

Manatee: I'm confused by the coming and going of certain characters, such as: Mary (the bartender), Dale's Girlfriend (What's her name?!), and so on.

Marmot: I think Dale's girlfriend is named Grunhilda. Or Jenny. Something like that.

Manatee: I was a die hard fan of Season 1; I loved the premise, the writing, the actors, but now I no longer feel invested in these characters or what they are doing.

Marmot: Really? I hated this show from the first episode. But yet, I watched loyally. Why? Because I'm a sucker. But this season has been much better for me. Still bad, but not quite as bad.

Manatee: It varies from one of my all time favs Prison Break - though you have to suspend belief for an hour, which I am okay with since it is TV - but the writers of Prison Break plant seeds in episode two that come up again in twelve. That takes careful planning and quite a bit of talent. Come on Jericho writers, why can't something blow up? Another war maybe? But this time, maybe the war could break out before the last episode (highly unlikely at this point). I admit that the show makes me think about the "what ifs." The what if the government did blow their own country up? What if the US spilt in half? What if we had a president that was not elected by the people ;)

Marmot: I just hope that the nuke that Jake thinks is so easily mobile goes off and destroys the whole town. By the way, the best part of last night's episode? Stanley's "Red Dawn" reference. WOLVERINES!!!

Manatee: How will there be a revolution in 3 episodes?

Marmot: Just another case for setting off that nuke.

To Be Continued.... Next Wednesday